“His songs have been and continue to be covered by numerous artists, including Rubén Rada, Julieta Venegas, Jorge Drexler, Laura Canoura, Hugo Fattoruso, Liliana Herrero, La Triple Nelson, Perotá Chingó, and many others.”

“Multifaceted, histrionic —in his own way, of course— and bold, he launched into a cascade of notes and words with occasionally sharp targets: poking fun at Harrison Ford or the United States (‘the nest of financial power’), reviving the long-buried Panama Papers, laughing at himself, and saying, half-joking, half-serious, that ethics and morality in the world are ’gravely under threat’… all interwoven with monologues and songs.”

“What has changed is that I used to be more or less up to date with what was happening in the world, and lately I listen to less. I’ve lost curiosity and, consequently, information. I think the mix you describe is fairly accurate, except perhaps for the ‘French-style singer-songwriter’ and the ‘Argentine rock nacional’, though in the case of the latter, I would include Almendra. I’d also add a bit more music: Brazil, classical music, jazz. But all of that feels very remote to me now, from a time of absorbing and taking in data. These days I no longer take in, I look inside my head and use whatever I find. And there’s no need to mix it; it already comes mixed.”