A white space suspended between the sacred and the urban. Four scenic moments reveal what is often hidden behind harshness: fragility, memory, pride, and a desire for redemption. Bodies that resist, that struggle, that remember. A solitary woman, a group moving like a pack, two men facing off in a choreography of restrained strength.
Created by choreographer Oona Doherty, this physical and dance piece, accompanied by music from David Holmes, offers a reflection on the identity of Belfast, a city marked by conflict and machismo. The work fuses contemporary dance with the rhythm of hip-hop, creating an atmosphere charged with tension and beauty. Every gesture, every movement, is a prayer, an open question.
The piece does not seek answers. It invokes. It names without words what remains hidden. It is testimony, homage, and protest. A contemporary ritual that crosses geographical borders to speak to us about what it means to resist, to transform, and perhaps, to find a way to peace.
Programme
Artists
Press quotes
Róisín O’Brien. Seeing Dance
Paris Art
Michael Seaver. The Irish Times
John Preece. The Edinburgh Reporter
Aoife McGrath
Oona Doherty