A liminal work that moves between art and activism, it offers a reflection on the role of art as a tool of resistance against systemic violence. Through twenty performative studies, it proposes a manual for artistic-political action that challenges the helplessness caused by the Necro-State, fostering forms of response through the body and creative expression.
The project emerged within Programa Internacional de Dramaturgia at UNAM, in collaboration with Cátedra Ingmar Bergman, Teatro UNAM, The Anglo Foundation, and the Royal Court Theatre. With over ninety-three pages of proposals and a website to share practices and documentation, the work goes beyond the stage. Its performative lecture format has been presented in venues such as Teatro Santa Catarina, the Royal Court Theatre in London, Festival Fulgor at Teatro Esperanza Iris, and Teatro UNAM’s Residencia Expuesta. A call to act through art.
Programme
Artists
Press quotes
Forbes
Daniela de la Mora. AM